©Pablo Picasso paintings 1920-1924
1 ... 2
In 1925 the Surrealist writer and poet André Breton declared Picasso as 'one of ours' in his article Le Surréalisme et la peinture,
published in Révolution surréaliste. Les Demoiselles was reproduced for the first time in Europe in the same issue. Yet Picasso exhibited Cubist
works at the first Surrealist group exhibition in 1925; the concept of 'psychic automatism in its pure state' defined in the Manifeste du surréalisme
never appealed to him entirely. He did at the time develop new imagery and formal syntax for expressing himself emotionally, "releasing the violence,
the psychic fears and the eroticism that had been largely contained or sublimated since 1909", writes art historian Melissa McQuillan. Although this
transition in Picasso's work was informed by Cubism for its spatial relations, "the fusion of ritual and abandon in the imagery recalls the primitivism
of the Demoiselles and the elusive psychological resonances of his Symbolist work", writes McQuillan. Surrealism revived Picasso’s attraction to
primitivism and eroticism.
|
|
|
|
|
Studio 1920 |
The Abduction 1920 |
Two bathers 1920 |
Two nude women 1920 |
Three Bathers 1920 |
|
|
|
|
|
|
|
|
|
|
Untitled 1920 |
Untitled 1920 |
Untitled 1920 |
Window opened to the street Penthieure 1920 |
Woman reading. Olga 1920 |
|
|
|
|
|
|
|
|
|
|
Woman reading. Olga 1920 |
Woman sitting in an armchair 1920 |
Acrobat 1921 |
Guitar, Bottle and Fruit Bowl 1921 |
Head of woman 1921 |
|
|
|
|
|
|
|
|
|
|
Head of woman 1921 |
Head of woman 1921 |
Leaning woman with bonnet 1921 |
Mother and child 1921 |
Mother and child 1921 |
|
|
|
|
|
|
|
|
|
|
Musicians with masks 1921 |
Musicians with masks 1921 |
Reading 1921 |
Reading The Letter 1921 |
Seated Nude drying her feet 1921 |
|
|
|
|
|
|
|
|
|
|
Seated woman 1921 |
Still life with jug and bread 1921 |
Still life 1921 |
Studio Corner 1921 |
Three women at a fountain, study 1921 |
|
|
|
|
|
|
|
|
|
|
Three women at a fountain, study 1921 |
Classical Head 1922 |
Madame Picasso 1921 |
Three women at a fountain 1921 |
Three women at a fountain 1921 |
|
|
|
|
|
|
|
|
|
|
Three women at a fountain 1921 |
Two bathers 1921 |
Woman with child on the seashore 1921 |
Woman's head and hand 1921 |
Wounded bird 1921 |
|
|
|
|
|
|
|
|
|
|
Bust of a woman, arms raised 1922 |
Family at the seashore 1922 |
Glass, bottle, packet of tobacco 1922 |
Mother and child 1922 |
Mother and child 1922 |
|
|
|
|
|
|
|
|
|
|
Mother and child 1922 |
Still life 1922 |
Two women running on the beach. The race 1922 |
Harlequin with his hands crossed. Jacinto Salvado 1923 |
Head of a woman 1923 |
|
|
|
|
|
|
|
|
|
|
Still Life with a Guitar and a Compote. The Mandolin 1923 |
Kallan 1923 |
Lovers 1923 |
Olga 1923 |
Pan's flute 1923 |
|
|
|
|
|
|
|
|
|
|
Paul, the artist's son, ten years old 1923 |
Portrait of Paulo, artist's son 1923 |
Seated harlequin. Jacinto Salvado 1923 |
Seated woman 1923 |
Seated woman with her arms folded. Sarah Murphy 1923 |
|
|
|
|
|
|
|
|
|
|
Seated woman 1923 |
Woman seated in an armchair 1923 |
Untitled 1923 |
Woman in white 1923 |
Greek woman 1924 |
1 ... 2