©Pablo Picasso paintings 1924-1929

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In 1925 the Surrealist writer and poet André Breton declared Picasso as 'one of ours' in his article Le Surréalisme et la peinture, published in Révolution surréaliste. Les Demoiselles was reproduced for the first time in Europe in the same issue. Yet Picasso exhibited Cubist works at the first Surrealist group exhibition in 1925; the concept of 'psychic automatism in its pure state' defined in the Manifeste du surréalisme never appealed to him entirely. He did at the time develop new imagery and formal syntax for expressing himself emotionally, "releasing the violence, the psychic fears and the eroticism that had been largely contained or sublimated since 1909", writes art historian Melissa McQuillan. Although this transition in Picasso's work was informed by Cubism for its spatial relations, "the fusion of ritual and abandon in the imagery recalls the primitivism of the Demoiselles and the elusive psychological resonances of his Symbolist work", writes McQuillan. Surrealism revived Picasso’s attraction to primitivism and eroticism.

Guitar, Glass and Fruit Dish with Fruit Paul as harlequin Still life with stone Still life with the mandolin Artist's son
Guitar, Glass and
Fruit Dish with
Fruit
1924
Paul as harlequin
1924
Still life with
stone
1924
Still life with
the mandolin
1924
Artist's son
1925
Plaster head and arm 1924 Mandolin and Guitar Still life with antique bust Still life with fishing net The dance
Plaster head
and arm
1925
Mandolin and
Guitar
1924
Still life with
antique bust
1925
Still life with
fishing net
1925
The dance
1925
The Kiss The sculpture Woman with mandolin Artist and his model Buste of young woman. Marie-Therese Walter
The Kiss
1925
The sculpture
1925
Woman with mandolin
1925
Artist and his model
1926
Buste of young woman.
Marie-Therese Walter
1926
Guitar Interior with easel Milliners. Workshop of the milliner 1929 Nude Standing by the Sea Man and woman
Guitar
1926
Interior with
easel
1926
Milliners. Workshop
of the milliner
1926
Nude Standing
by the Sea
1927
Man and woman
1927
Painter and his model Seated woman Studio Study of Cannes Ballplayers on the beach
Painter and his
model
1927
Seated woman
1927
Studio
1927
Study of Cannes
1927
Ballplayers on
the beach
1928
Bather Bather opening a cabin Bathers on the beach Landscape On the beach, Dinard
Bather
1928
Bather opening
a cabin
1928
Bathers on the
beach
1928
Landscape
1928
On the beach,
Dinard
1928
Painter and his model The Studio 1928 Bird on a Tree A blue acrobat Bather
Painter and
his model
1928
The Studio
1928
Bird on a Tree
1928
A blue acrobat
1929
Bather
1929
Head Large nude in red armchair Portrait of Paulo as Pierrot Reclining Woman Seated bather on the beach
Head
1929
Large nude in
red armchair
1929
Portrait of
Paulo as Pierrot
1929
Reclining Woman
1929
Seated bather
on the beach
1929
Head of a Woman 1921 The Swimmer Untitled 1928 Bather, Design for a Monument. Dinard Large Bather 1921
Head of a Woman
1921
The Swimmer
1929
Untitled
1929
Bather, Design for
a Monument. Dinard
1928
Large Bather
1921
1927 Woman in an Armchair 1920 Woman with a Blue Bodice 1921 Woman with Flowered Hat 1923 Seated Harlequin 1923 Harlequin with a Mirror
Woman in an
Armchair
1927
Woman with
a Blue Bodice
1920
Woman with
Flowered Hat
1921
Seated Harlequin
1923
Harlequin with
a Mirror
1923

 

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